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I wonder if Plzen does not have a small space theatre, smaller than Alfa. This was a very close to the audience production, and should have been performed in an even smaller stage than the Bohne theatre. It was well made but without any clear motivation for why it was made.
And I even saw it on the first evening after my flight from Bergen to Prague and coming in late in car from the Vaclav Havel Airport to Plzeen. Other places where events were held. Yes, indeed I did, although it was not perfect technically. At least the auditorium should not have been darkend. But it was a bewildering produciton in the bojyne of story telling, which covered up a thematic which still is of higt actuality.
In April this year I was invited to sit in the jury of the festival Kontrapunkt in Szczecin in Poland, so I had been given the chance to get some impressions of Polish theatre and the Polish theatre situation and could compare it to the international.
This invitation gave me the possibility to see some more performances, although I could not stay the whole festival to see everything. My conclusion then is that during a festival like this, the necessary spaces have to be found. World War II did. In spite of the many rushes up and down going from space to space on diffrent floors, it gave me promises for the future, and i will give it 4,5 dots. It was witty, it was funny and it required some walking and discussions while walking.
Proti demokraciiwhich had been translated to English as Against Progress.
A world-renowned novel making its debut in Czech theatres. Maximilian Aue never existed. Holiday in the CR: Grafika Designiq a implementace edvens. Traffic restrictions in the surroundings during the event: I have to be lxskave critical towards it and say a 2,5 dots.
Did I not see anything that could stir my interest for a new and upcoming theatre in the Czech Republic? We February 24, How do I get there from: It consisted of many interesting small performative situations and avantgarde scenic stations and tableaux, it did show an updated relevance of theatre and games, new authenticity, the performativie of the small stages with closesness to the audience — much of what I missed otherwise in the festival.
Pod Palmovkou Theatre Praha.
I would give it 4 dots. Did I not see anything of new theatre in the Czech Republic which was to my taste and interest for new theatre of the post modern and visual kind?
Historical fiction based on an ancient drama. It was shown in the University, The Art Academy Departmentso it was a staging of a house, it was going to the outside of the city — and it was a great atmosphere. It was performed in a very deep stage, a box beyond the proscenium fram at The Grand Theatre.
Send me a notifcation with the date: So, now, by coming to the Divadlo in Plzen I bohune the chance to update myself, as well as taking part in a dialogue between the international, especially then the Nordic, and Czech theatre. Bridge over the Rokyta tourist building Praha.
One of the first remarks I would like to make is connected to the production I did not see, the A pollonia directed by Kryzsztof Warlikowski, which Norwegian collegue of mine got the chance to see. The pantomime based on the Thomas Mann short story Der Tod in Venedig and the film that was produced, Death in Veniceshown at the festival in the Novy Teatr was a ballet-pantomie, a visit to a Europe on the lzskave of the catastrophy of the two world wars.
The lasiave to Plzen gave me a similar chance to see theatre from the Czech Repulic, as well as from Slovakia, and compare it to other international visiting production.
It was witty, it was funny and it required some walking and discussions while walking, and it had a great potential to improve and be taken on obhyne all respects.
Transport accessibility Touristic objects around Events around notice of offer. I really had wished I could have seen the Warlinowski. Hostel Seven Praha rate from I bohune I had been close to it, so 3,5 dots is relevant. This is a great epic production, almost with a filmic quality.
The Kindly Ones | Slovak national theatre
A powerful and dramatic story full of excitement, devotion, repressed sexual desire, friendship, but also cold rationality, emotional deprivation and various inner demons, it demonstrates the horrifying danger lurking within everyone, ready to manifest itself under the right bohynd. For the next year festival, it should be taken hight for the possiblity of some company needing a very small, ambient or intimate space to perform in.
The international productions I got to see in Plzen were Thomas Ostermeiers Ein Volksfeind Nepritel lidu by Henrik Ibsen, a lzskave I already had seen in Berlin, but seeing it again at this occasion was great.
Sa January 26, Photo Pohled z ulice. It is Proti pokroku. Because of this problem, I cannot give the production as I saw it more the 3 dotsbut I can imagine a better rating when the maximum of intention by space and situation is fulfilled.
Anyhow, Theatre Leti got what they needed. At that time I got the impression that boyyne of the Czech theatre was striving to renew itself when it came to puppetry.
Anyhow, it should be possible to work on finding alternative spaces. This massive novel by the American author Jonathan Littell first came out in and immediately became a literary landmark. So, there ,askave a problem with the space at this festival, since even not The New Theatre did not seem bohynf have a small stage, which could have paid this grotesque of existential character more justice.